knocked the wind like a tired man. I
, hostess,
"Come in" I told him bold, and then went to my room
a guest fast, without feet:
tell him to sit
would be as absurd as to offer an armchair
air.
It was boneless, and therefore elusive.
His speech was like the wicked
of birds without number, which they sang together in a bush
heavenly.
His face was a wave, to move his fingers
let out a sound, like
tremulous breath on glass.
Always moving gave me his visit;
and then, shyly,
knocked again - with excitement -
and I found myself alone.
The Dickinson is a poet are extraordinary ... his extraordinary sense of nature, his ability to distill "an amazing sense of ordinary meanings and essences of species so huge family, "the evocation of metaphors and symbols without affectation or research of the effect.
The language of Dickinson is harsh, terse, elliptical, but an unparalleled intensity, and never as in this case the translation is to betray the letter to try to get closer to the vibrating core and index of verses.
The paintings are of IMAN MALEK
Biographical
Iman Maleki was born in Tehran in 1976. Attracted by a very young age, he began painting at the age of 15 years, under the leadership of its first and one teacher, Morteza Katouzian, considered the greatest realist painter of Iran.
His works are characterized by an extraordinary realism, expressiveness clear, without veils, which takes a look almost photographic in its country, now celebrating its glorious past, now capturing moments of everyday life today.
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